#don't know what happened with the last post lol

[pendularium]

sorry, yapping quickly. I saw a post earlier analysing how vi doesn't stand up for the zaunites to caitlyn, and contrasting that to jinx (and ekko), and viewing vi as a sort of pick me (not the language used but I can't find the original rn), and like. yes, I think the argument is correct, but there is like one thing I want to add, which is that vi, unlike jinx and ekko, isn't really in a position where she can criticise caitlyn right? ok hear me out. so one) imo a lot of s1 establishes vi as someone genuinely desperate for connection - its the thought to getting back to powder that gets her through prison (where she has been pretty isolated), her and caitlyn click incredibly fast etc, and all of s1 into s2 happen pretty damn fast right? vi gets out of prison, gains a friend, regains a sister and then instantly loses her again, and then that loss of powder is really underscored in the finale - vi has very few relationships left, and most of the ones she has had have ended in horrible tragedy and violence; it is no wonder that she especially would try to cling to the one (cait) she has left and two) vi is also someone who is constantly in the big sister/protector role - her intro shows this, her leadership of their little gang as kids, and after the time skip (after she fails) you can see her try to assert her dominance over caitlyn in s1 - vi is the one who knows the lanes, caitlyn has to keep up, vi throws caitlyn out of her comfort zone in the brothel etc., vi is trying to demonstrate that she has worth to caitlyn right? and of course when maddie is talking to vi, it's caitlyn expressing respect for vi's actions that vi seizes onto. I don't think this is (just) a way of showing off to caitlyn, rich girl from piltover, I think this is part of vi's understanding of herself as a figure of authority and protection in her relationships put them together and you have someone who, when confronted with an angry and grieving caitlyn, her last real connection (not counting ekko) makes compromises to avoid a confrontation with her. vi doesn't counter 'what kind of animals' directly, because that risks her relationship with caitlyn; she is pretty consistently someone who cares more about personal relationships than the grand scheme of things (as does powder/jinx but that's a different post). and yet, with that in mind, vi does try to defend zaunites! first, she tries to humanise them right; instead of being wild uncontrollable beasts, vi positions them as making a calculated attack - they wanted the spectacle, they're trying to scare you, and then after caitlyn doubles down on her anger towards them, vi pushes for caitlyn to call off the invasion. those aren't the actions of someone who doesn't care about zaunites, or would rather side with piltover imo, they're the actions of someone who does care about zaun, but who doesn't want to jeopardise her relationship with caitlyn. vi joining the enforcers is not only her staying with caitlyn, but also her trying to prevent the invasion. if I go after your sister alone, one of us comes back in a box = caitlyn won't go alone. the strike force then, can be read as a deliberate compromise between caitlyn, who has all the power here, and vi, who doesn't want zaun to be invaded by the enforcers

this is, of course, just a way you can read all this lol, if you disagree/want to add on please do so! I am a bit busy rn but I cannot express how much I want to talk about arcane with people

[aihoshiino]

chapter 166 thoughts

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!

[constantfragmentation]

It's bugging me...

The inconsistencies and a lack of detail and continuity in S2. S1 was all about the tiniest details.

Don't get me wrong, the animation is gorgeous, BUT --

The underwater scene is where Jinx lets Silco go.

He was RIDDLED with bullets. Yet, not a mark on him?

Why is his damaged eye closed? I thought he didn't have an eyelid. Artistically, I think having his lifeless eyes glazed over would have been more dramatic, considering it's Silco. Nah, he just sinks like Jack to the depths of the Titanic.

How deep IS the Pilt River?? I'm assuming that's where she 'buried' him.

The whole first act is so damn rushed.

No one seems to wonder what happened to Silco? He was only the main person holding the Underground together by the strands of his pomade hair. His death is a BIG deal, yet it's glossed over. No one questioned any of it???

Sevika is just, okay, let's move on like it's another day (granted, Zaunites are probably predisposed to be like that, but that doesn't make for good storytelling if you're not letting the audience in on anything), and chatting it up with Jinx as if they just bonded. I didn't feel that happen. I like that they low-key ripped into him post mortem, because that feels natural but what got them in that room together DOESN'T.

I want to know how these characters FEEL. You got that in spades during S1. But S2 is just expecting you to assume or they would attempt to take the time to use what would be great writing and evolving these characters.

Caitlin is hurting, I get it. But she went full Commando Psycho mode. Girl, everyone has lost parents, siblings, etc... She doesn't even flinch when Vi tells her Enforcers killed BOTH her parents. She's lost a beloved sister... but Cait is affronted when Vi shirks from becoming an Enforcer. Let's just forget what PIltover did to Zaun for generations and to LOADS of people.

Vi? Oh girl. What happened to you?

Jinx is a bit better but not much. I don't buy Silco's death was a zap to the brain to chill her out a bit. She's still my Chaos Queen but unless there is something to explain some shit in the following episodes, I'm going to be really ticked at the lack of care in characterizations with who are the supposed leads in this story.

Jesus Viktor. That's it. That's all I got.

Well, I did LOL when he woke up and gave Jayce the "bye Felicia" in 2.2 seconds.

We don't get to know what Ekko is thinking since all this shit went down? As far as he knows, Jinx is dead and to learn to she bombed Piltover?

The music videos substituting for the plot are REALLY bugging me. It's lazy writing. The music was used well in S1 to ENHANCE the scene (well, except for giving Imagine Dragons an animated cameo). Here, it's used as exposition, but it's not nearly good enough.

Useless characters and side-characters. Poorly executed plot devices. Uninteresting plot devices and trying to use the S1 parallels for characterizations.

S1 took time to introduce and flesh out these characters, even the side-characters.

We only had Vander for 3 episodes but he was a HUGE character. Marcus, Mylo, Claggor, Benzo, Grayson, Finn.... all were interesting and played an important part.

Jayce continues to be blah. So I'm not bothered.

Ambessa looks to be the new villain but it's not hitting with me. Plus, there's zero foreshadowing on some stuff in her arc that would have been useful last season.

I like Mel but I'm waiting to see what happens with her.

Hermydingding going all Mission Impossible. Just stop. Does he not give two furry fucks about what happened to his fellow councilmembers and Piltover?

I feel like RIot is trying to shove way too much into one season and sacrificing good story-telling to do it.

I miss the details.

So far, I'm really underwhelmed with this season.

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[thresholdbb]

My commission is like 97% finished

[icewindandboringhorror]

boy in silly sitting positions compilation

[thescreamcorner]

probably a take that a LOT of people are going to be angry about but I'm gonna preface with: I'm speaking on a general trend I've seen in online spaces, and my thoughts on it are not a direct callout to anyone nor an inherent indicator of if someone's DID is "real" or "fake."

but like. the way that some people will use public spaces to "chat intra-system" is so wild and even at times uncomfortable as fuck, if nothing else it's pretty wildly unsafe because like you have NO IDEA who's reading what you're writing out. Having a private discord server or a journal or a notes app or something is a much safer way to facilitate that kind of thing.

that and lowkey..... sometimes ppl doing it in public or actively sharing screenshots of it on tumblr like it's some "the group chat going wild tonight" type content just feels. So much like roleplay. It skeeves me out a bit. I know in my heart that generally using a space to try and communicate with other parts of the system is a healthy coping mechanism that a lot of therapists recommend but so many times that I see that posted it feels like that meaning and healing has been lost and in some cases borders on roleplaying or content farming and it makes me so uncomfortable

[mastersoftheair]

from appletv's instagram story

[whiskeyswifty]

.

[izzy-b-hands]

I NEED my brain to stop waking me up with nightmares but

got 7 hours of sleep this time around despite it. I'm actually proud enough of that to post abt it lmaooo

[shoulderscars]

[doodlingwren]

I didn't log in on Tumblr for a week bc was busy in UNI hell and the second I came back, I heard about the data sold to AI mess and what the fuck am I supposed to do or to say lol...

Anyway, I must add that I'm not going, like, anywhere else. Am I tired of this situation? YES, trust me. I've already experienced art being stolen to be handed over to AI programs (I'm talking about you, DeviantArt) but I'm exhausted from moving from one social to another. The most fucked up thing is that even with a deactivated account, your stuff can be used to training Midjourney and shit, so… like, there's not a lot to do.

The thing that makes me mad is the way Tumblr handled this. By the way they wrote the announcement, it does feel like it has already happened, and the update was just a notice.

[basically-fabulous]

u "don't vote" motherfuckers r stupid as shit

[thyandrawrites]

Attempting to design an amigurumi chibi and one of his hips is at a shaper angle than the other nfndjsk I accidentally gave him scoliosis

[wavesoutbeingtossed]

this is perhaps uncouth but give you my wild give you a child still makes me feral btw